April 30, 2014
Behind the scenes of Cards Against Humanity's PWNMEAL prank at PAX
— I love this so much, a group of people dedicated to spreading chaotic delight #
‘JIF’ Is the Format. ‘GIF’ Is the Culture
The animated GIF is the Internet’s native art form. But 25 years later, we still haven’t decided how to pronounce it.
We’ve spilled so many words over the pronunciation of a single letter, rivaled only by the debate over tabs vs. spaces, email vs. e-mail, and whether to capitalize “Internet.”
So, how do you pronounce GIF?
There are three main camps:
- Soft G—GIF is like “jif.” You think an inventor should be able to dictate how their invention is pronounced.
- Hard G—GIF is like “gift.” You believe that the creator’s wishes are largely irrelevant because language evolves, and prescriptive approaches to language are pointless.
- ↓
For the “soft G” crowd, this issue was settled in 1987 when CompuServe engineer Steve Wilhite first designed the GIF format. He’s always been adamant about the pronunciation, as in this interview with the New York Times last year:
“The Oxford English Dictionary accepts both pronunciations,” Mr. Wilhite said. “They are wrong. It is a soft ‘G,’ pronounced ‘jif.’ End of story.”
There’s something to this argument.
One of the great things about inventing something is that you get to name it, and by extension, how it’s pronounced. Honoring an inventor’s wishes may not be required, but it’s the nice thing to do.
There’s only one problem: Steve Wilhite and CompuServe did not invent the animated GIF as we know it.
The creators of the GIF format didn’t anticipate this kind of usage for their format, and the proof is in the spec itself — they never specified a way to loop animations.
When CompuServe added animation to the GIF89a spec in 1989, animations would only play once. For six years, every animated GIF ended on the final frame.
It was Netscape, not CompuServe, that added the ability to repeat animations, starting with Navigator 2.0 beta 4 in December 1995. Netscape defined an extension to the GIF format that specified how many times an animation should loop or if it should play infinitely.
Today, every animated GIF contains the “NETSCAPE2.0” string inside it, a digital thumbprint that firmly places the modern animated GIF as a Web-era invention.
So, does this mean that Netscape should get to dictate how it’s pronounced? No, not really.
Because when we talk about GIFs these days, we’re not really talking about the file format. We’re talking about the art form and culture that surrounds it, and that was created and popularized by the Internet.
The modern GIF was invented by the Internet, and like the Internet, its applications sprawl beyond comprehension. Early memes, reaction GIFs, glitch animations, wigglegrams, Blingee, cinemagraphs, and countless variations spread on Tumblr, Twitter, Reddit, 4chan, and dedicated net art communities like dump.fm.
GIF isn’t just a file format, it’s an art form and a culture. And, despite Wilhite’s efforts, most of the people in that culture pronounce it with a “hard G.”
Since I downloaded my first GIF off a BBS in the late 1980s, I’ve pronounced GIF with a hard “g” like “gift.” It looked natural to me, and like many others, it was an on-screen acronym that I didn’t hear out loud until years later. I stuck with that pronunciation for years, even after I knew the “official” pronunciation.
But I’m not entirely comfortable disregarding the wishes of Steve Wilhite or the culture of animated GIF art, so I started taking a new approach last year:
To honor Wilhite’s pioneering work, I pronounce every static or non-looping GIF with a soft-G. Every discussion of the file format, transparency, interlacing, and static GIFs are “jifs.” These are all “jifs.” So are these.
But the animated GIF, as we know it, was created by Netscape and popularized by the Internet, so I pronounce it with a hard-G.
There! That oughta settle it, once and for all.
Note: I originally published this post on Medium, as part of The Message, on April 29, 2014.
Darius Kazemi's interactive essay on J. Dilla's "Don't Cry"
— the last button on the page is my new jam #
Medium Is The Message
This month, I joined The Message, a new collaborative writing experiment on Medium with an all-star list of some of my favorite writers—danah boyd, Anil Dash, Craig Mod, Rex Sorgatz, Paul Ford, Joanne McNeil, Virginia Heffernan, Clive Thompson, Quinn Norton, Robin Sloan, and Zeynep Tufekci.
Medium’s Kate Lee wrote an introductory post introducing The Message and how we came up with its name. It’s a playful nod to McLuhan, but an appropriate one.
The Message may sound like a simple group blog, but I’m using it as an opportunity to play with Medium as a new medium for writing, pushing its publishing and communication tools to try new things that I can’t really do here on Waxy. I’ll still republish most of my posts here for permanent archiving, but inevitably, they’ll lose something in the translation.
Before publishing anything on The Message, I wanted to know what Medium was capable of, so I published this.
It broke Medium, turning their recommendation emails and user interface into glitch art, crashing computers, and stressing out the support staff.
I followed it up by glitching LinkedIn. That was fun.
This morning, I published my first official post on The Message, my take on the GIF pronunciation war. Short version: CompuServe didn’t actually invent the animated GIF, as we know it, so doesn’t get to dictate how it’s pronounced. It’s a product of the web era, invented by Netscape and popularized by an entire culture.
I hope you like it.
Hiding your pregnancy from Big Data
— cash, Tor, a separate Amazon account, and unfriending loudmouth relatives #
A Brief History of the "Not All Men" meme
— its usage possibly represents a broader shift in male acceptance that sexism exist #
Google rumored to end forced Google+ integration
— good riddance, I can't wait to read the tell-all case study in a year #
Maciej Ceglowski's Our Comrade The Electron
— my favorite talk from this year's Webstock; here's the transcript #
Previously-unknown Warhol artwork discovered on Amiga floppies from 1985
— artist Cory Arcangel, on a hunch, digs up digital history #
Introducing The Message
— a new group blog collaborative writing experiment with some of my favorite people #
The Hole Near the Center of the World
— The Awl goes deep on Adventure Time, giving it its own single-serving site #
The Indiepocalypse at Webstock 2014
Last February, I was honored to be invited to speak at Webstock in New Zealand, along with Maciej Ceglowski, Erika Hall, Charlie Todd, Clive Thompson, and a bunch of other neat people.
My talk, like New Zealand itself, was a bit of a whirlwind. I roused the hungover crowd on Friday morning with a look back at my childhood on the Sunset Strip and how it shaped my later views on creative and financial independence. The talk’s now online, and you can watch it here. I’m pretty happy with how it came out, hope you like it.
FreeIndieGam.es closes down
— my favorite source for quirky experimental games, created by Terry Cavanagh #
Mike Judge's Silicon Valley, first episode on YouTube
— a simulacrum of startup culture, dead-on with many small details but lacks depth #