Over the last few years, I’ve been collecting examples of metagames — not the strategy of metagaming, but playable games about videogames. Most of these, like Desert Bus or Quest for the Crown, are one-joke games for a quick laugh. Others, like Cow Clicker and Upgrade Complete, are playable critiques of game mechanics. Some are even (gasp!) fun.

Since I couldn’t find an exhaustive list (this TV Tropes guide to “Deconstruction Games” is the closest), I thought I’d try to pull one together along with some gameplay videos.

This is just a starting point, please post your additions in the comments or email me and I’ll add them in. Note: I’ve tried to stay away from specific game parodies (like Pong Kombat or Pyst), and stick to games that comment on game design, mechanics, or culture.

Continue reading “Metagames: Games About Games” →

Today, Netflix posted some interesting research, tracking the performance of their streaming service on the top ISPs in the U.S.

Sadly, the charts were completely useless to me — a pile of mostly-indistinguishable lines. Along with one out of every 14 American males (about 7%), I’m red-green colorblind.

This is hard for non-colorblind people to understand, so I pulled together a couple examples. Here’s a split comparison of the original chart, showing what people with normal vision see compared to me and my crappy eyes.

(Click to view large.)

Two simple solutions:

1. Label your lines. When you have more than three data points in a line chart, legends fall apart quickly whether you’re colorblind or not. A label next to each line makes any chart much more readable. Here’s a quick remake I whipped up. (Thanks to Greg for helping me get the colors right.)

(Click to view large.)

2. Pick colorblind-safe colors. If you have to use a legend, be kind and pick something people like us can see. Photoshop’s supported drop-dead simple colorblind simulation since CS4, or you can check your images or webpages for free using the Vischeck colorblind simulator.

When doing the right thing is this easy, it’s really disturbing when it’s dismissed as a waste of time.

A couple years ago, I contacted the husband-and-wife team behind Snopes, the essential resource on urban legends, to let them know about a similar issue. The red/green icons they use to indicate true/false urban legends looked absolutely identical to me. I let them know about the problem and prepared alternate GIFs for them, with a darker red and lighter green. (Incidentally, that’s why colorblind people don’t have trouble with stoplights.)

They not only refused the new images, but actually added a new entry to their FAQ, defending their position:

We chose our red-yellow-green coding system because its “traffic light” pattern can be understood by most of our readers with little or no explanation. While we understand that about 8% of our readership experiences some form of color blindness and therefore cannot distinguish the different colors of bullets, other alternatives we have tried have proved confusing to many of our non-color blind readers. Therefore, we have chosen to stick with a system that works very well for 92% of our readers.

Instead, they recommended hovering over every icon to see the tooltip text. I absolutely adore the work they do on Snopes, but that interaction’s left a sour taste in my mouth ever since. It just doesn’t seem defensible — is slightly darkening a shade of red and brightening a green too much to ask?

I wouldn’t expect anyone to be able to perfectly anticipate every person’s needs; accessibility is extremely hard to get right 100% of the time. But if your ultimate goal is conveying information, open ears and a little empathy can go a long way.

Update: Alex Bischoff took the three images I made for Snopes, and wrote a user script that replaces their images with mine. Install it here for your browser of choice.

The Oscar nominations were announced yesterday, which means it’s time again to see who’s winning in the eternal fight between the movie studios, the Motion Picture Academy, and the loosely-organized group of spunky kids known as The Scene.

Yesterday morning, along with an anonymous group of spectators, I updated the ever-growing spreadsheet now spanning the last nine years of Oscar-nominated film. I added this year’s 29 nominees to the list, a collection of 274 films in total. (You can read about more sources and methodology at the end of the entry.)

Don’t miss the Statistics sheet, which covers all the aggregate year-by-year stats. Download or view it below, or read on for my findings. As always, if you have any additions or corrections, let me know.

View full-size on Google Spreadsheets.

Download: Excel (with formulas) or CSV

Findings

Note: These numbers will change as we get closer to the ceremony, and I’ll do my best to keep them updated until Oscar day.

Continuing the trend from the last couple years, fewer screeners are leaking online by nomination day than ever. Last year at this time, only 41% of screeners leaked online; this year, that number drops again slightly to 38%.

But if you include retail DVD releases along with screeners, 66% of this year’s nominated films have already leaked online in high quality. This makes sense; if a retail DVD release is already available, there’s no point in leaking the screener. But I think it’s safe to say that industry efforts to watermark screeners and prosecute leaks by members have almost certainly contributed to the decline.

The gap between theatrical and DVD release dates seems to have stabilized, hovering around 105 days for the last few years. This year, the gap between US release to first leak seems to have dipped slightly, from a median 23 days last year to 17 days.

The chart below shows how camcorder and telesync leaks for Oscar-nominated films continue to decline in popularity, while nearly every nominated film is eventually leaked on DVD. (The only exception seems to be 2008’s Il Divo, which never appeared to get a US retail release.)

One prediction: The end of the DVD screener is near. This year, Fox Searchlight distributed three screeners with iTunes — 127 Hours, Black Swan, and Conviction — to all 93,000 voting members of the Screen Actors’ Guild, marking the first time a major studio’s used Apple’s service for screener distribution.

Voters get the additional convenience of being able to watch films on their computers, Apple TVs, iPads and iPhones, while studios save the time and expense of distributing physical media. If this experiment’s successful, it seems likely other studios will follow.

Miscellanea

Some random notes:

• This year, three films were leaked online within a day of their theatrical release — Iron Man 2, Alice in Wonderland, and Harry Potter.
• The Rabbit Hole screener was leaked online eight days before its theatrical release, while Winter’s Bone was the slowest to leak online (so far) at 125 days after its theatrical release.
• Oscar-nominated films tend to get released late in the year, but how late? More nominated films have been released on December 25 than any other day, but the median date is October 20.
• For the first year, the first high-quality leak of a film — Harry Potter and the Deathly Hallows — was a PPV rip, most likely from a hotel’s new movie releases on pay-per-view.
• Retail Blu-Ray rips are now frequently being leaked online now before retail DVDs, so I’ve modified the “Retail DVD” column to include them.

Methodology

As usual, I included the feature films in every category except documentary and foreign films (even makeup and costume design). I used Yahoo! Movies for US release dates, always using the first available date, even if it was a limited release. Cam, telesync, R5, and screener leak dates were taken from VCD Quality, with occasional backup from ORLYDB. I always used the first leak date, with the exception of unviewable or incomplete nuked releases.

Finally, the official screener dates came from Academy member Ken Rudolph, who lists the date he receives every screener on his personal homepage. Thanks again, Ken!

For previous years, see 2004, 2005, 2007, 2008 (part 1 and part 2), 2009, and 2010.

I’ve been dealing with a family illness, but couldn’t let the Wikileaks Cablegate incident pass without comment. In between hospital visits, I’ve been jotting down links related to the historic leak.

It’s a stunning experiment of forced transparency, prying open government against its will without much care or concern about the ramifications. Wikileaks is the Pirate Bay of journalism — an unstoppable force disrupting whole industries because they can.

To help make sense of my own opinions about it, I rounded up some of the more interesting responses and visualizations. Enjoy.

Continue reading “Wikileaks Cablegate Reactions Roundup” →

Big news! I’m very happy to announce that I’ve joined Expert Labs as a Project Director, working alongside the wonderful and talented Anil Dash and Gina Trapani. (Read the official announcement.)

Our goal’s to help government make better decisions about policy by listening to citizens in the places they already are: social networks like Twitter and Facebook.

Our first project is ThinkUp, an open-source tool for archiving and visualizing conversations on social networks. It started with Gina scratching a personal itch, a way to parse and filter @replies. But it’s grown to be something more: a tool for policy makers to harness the collective intelligence of experts.

There’s tons to do, but I’m particularly excited to tackle ThinkUp’s ability to separate signal from noise, making it easier to derive meaning from hundreds or thousands of responses, using visualization, clustering, sentiment analysis, and robotic hamsters. I’m planning on building some fun hacks on top of ThinkUp, as well as keeping an eye open for other vectors to tackle our core mission.

Officially, I started on Monday and it’s already been an incredible week. I flew to Washington DC, attended the FCC’s first Open Developer Day, and a day of meetings with various groups at the White House.

What I found was inspiring: a group of extremely clever and passionate geeks, working from within to make things better. Some agencies are definitely more clueful than others, but it was clear that they want our — and your — help. I was skeptical at first, but they’re sincere: they want meaningful public participation and they need smart people to make it happen.

Want to join in? The easiest thing to do would be to install ThinkUp on your server. Give it a try, see what you think and, if you can, contribute — code, design, and documentation are all welcome.

If you’ve read Waxy for a while, you’ll know I very rarely touch on political issues here. It’s not that I’m apolitical — like anyone, I have opinions, but I don’t often feel engaged enough to write about it.

So, why would I go to a Gov 2.0 non-profit? For three main reasons:

1. It’s important. To tackle our most serious national issues, we need better communication between government and citizens. I want my son to grow up in a world where he doesn’t feel disconnected and disillusioned by government, and I want government to meet the needs of the people, rather than favoring those with the most money or the loudest voices.
2. It’s exciting. Technology is quite possibly our best hope of breaking down that divide, using social tools to disrupt the way that governments are run and policy is made. I love designing and building tools that use social connections to tackle difficult problems, and it feels like government is an area ripe for disruption.
3. I love the team. I’ve known Anil and Gina for years and have long admired their work. They’re both extraordinarily talented and creative people, and I feel lucky to call them both friends. The opportunity to work with them was too hard to pass up.

How can I pass that up?

And what about Kickstarter? I recently stepped back into my original advisory role, and will continue to help out the team however I can — dispensing unsolicited advice, recruiting new projects, writing the occasional article, and evangelizing for them around the world, like I did at Free Culture Forum in Barcelona two weeks ago. Kickstarter’s leading an indie-culture revolution, thanks to amazing leadership and a brilliantly creative team, and it was a pleasure working with them.

This isn’t a change in direction for me, but a change in focus. Both Kickstarter and Expert Labs are bringing smart people together — people who might never connect otherwise — to create things, to change things, to make the world a better place. I can’t wait.

Proof!