Memeorandum made some minor markup changes recently which broke Memeorandum Colors, a Greasemonkey script I wrote that colors Memeorandum based on linking behavior. (Read more about it.)

If you were using Memeorandum Colors, here’s the updated Greasemonkey script and Firefox extension. (Unfortunately, it won’t work in Chrome because they haven’t implemented cross-site requests in user scripts yet.)

Now, a funny story. On Monday afternoon, I was alerted that the script was broken by a guy named Pat, a political blogger in Detroit. He asked politely if I’d fix the script, and I promised to take a look at it. I fixed it last night and was cleaning it up for release this morning, when I saw this on Twitter:

I never looked at his site, so was totally unaware of his political leanings. I was just busy.

Enjoy the code, Pat! Sorry I took so long to fix the code you use and love, for free, every day.

Update: Pat deleted his three tweets (archived above for posterity) and, in an epic 17-tweet rant, offered me and five others “an ass kicking that you will never, ever forget.” He follows up with a threat to sue me for publishing his “likeness and words” — screenshots of the three deleted tweets above, posted in public, addressed to me, and reproduced for non-commercial commentary and criticism under the Copyright Act’s “fair use” provisions.

Update 2: And now his Twitter account’s gone. I saved an archive of his threatening tweets for posterity. If you want to get in touch, his new account is @RightBloggerPat.

August 6: Pat wrote a followup on his blog, with his perspective of the whole ordeal. He admits he jumped the gun and apologizes for the mistake. Case closed.

Over at the Kickstarter blog, I interviewed R.U. Sirius about his project to create a collective memory project about Mondo 2000, culminating in a website, book, and possible film project directed by Mondo art director Bart Nagel.

Aside from the Kickstarter project, we also talked about the history of Mondo and its long-term impact, their rivalry with Wired, and the long-lost unpublished issue. He also reveals that Joi Ito bought the $750 reward to fictionally write yourself into Mondo’s history, which is funny because Joi was actually on the masthead.

The full transcript is on the Kickstarter blog, or you can download it or listen below.

Back in 1999, my first job out of college was at Gettingit.com, a San Francisco-based webzine edited by R.U. Sirius. I was a total Mondo/Wired/bOING bOING fanboy in the early ’90s, so the opportunity to go work with R.U. was incredibly exciting to me. In a disappointing turn, he was an incredibly nice and normal guy, instead of the hyperactive cyberhippy on mescaline that I was expecting.

I recommend reading Patrick Farley’s The Guy I Almost Was, a classic webcomic that nicely characterizes my impressions of the early ’90s cyberculture scene. (Patrick Farley just ran a successful Kickstarter project to revive Electric Sheep, and R.U. backed it.)

Random trivia: In July 1999, we tried to sell R.U.’s soul on eBay. Here’s the image I made for the auction:

In the latest Kickstarter Podcast, I interviewed indie comics legend James Kochalka and Pixeljam Games’ Rich Grillotti and Miles Tilmann about Glorkian Warrior, their retro-inspired videogame that mixes hand-drawn and 8-bit pixel animation.

• Kickstarter Podcast #5 – Glorkian Warrior

James Kochalka is undeniably prolific, though he balks at the word. He’s kept a daily comic diary of his life on American Elf for the last 12 years, released 40+ books, recorded 10 albums, and just appeared in a scifi film. But he’s never made a videogame, something he’d been aching to do since he was a kid.

Thanks to a chance meeting at a chiptune concert, Kochalka’s collaborating with Pixeljam Games to make it happen. Pixeljam’s responsible for some of my all-time favorite Flash games, such as Dino Run, Gamma Bros., Ratmaze, and Mountain Maniac. It’s a match made in geek heaven.

Their Kickstarter project ends tonight, so get the Glorkian Warrior game, mini-comic, and other exclusive rewards while you can.

Bonus track, for hardcore Kochalka fans:

• James Kochalka sings the Glorkian Warrior theme song

Yancey rounded up our SXSW appearances over at the Kickstarter blog, but I thought I should mention it here…

On Saturday night, Kickstarter, Tumblr, and SoundCloud welcome you to F*CK YEAH! SXSW, a party with music/visuals by Eclectic Method sponsored by the nice folks at ThePlanet. It’s at Emo’s on Saturday night, from 6:30pm until late.

On Sunday 11am, I’m doing a solo talk about a mish-mash of my interests, focused around metagames — both games about games, and games built on games. Quite possibly the only talk at SXSW to mention Mechanical Turk, Desert Bus, Barack Obama, VVVVVV, and Metafilter.

Also in amazing panels, Kickstarter’s own Perry Chen (Monday w/Robin Sloan), Yancey Strickler (Wednesday w/Allison Weiss), and Fred Benenson. You should go to every one. More details here.

See you in Austin!

I’m a huge fan of both indie comics and indie journalism, so I was thrilled to see Pulitzer-nominated cartoonist Ted Rall start a Kickstarter project last month to fund his return to Afghanistan. I may not always agree with his politics, but I’ve found his long-form foreign reporting to be unique and thought-provoking.

He graciously agreed to an interview over Skype, which we posted late last week as the second episode of the Kickstarter Podcast. I thought it came out well, though I clearly still need to work on my audio mixing skillz (sounds better on headphones!) and perfecting my NPR voice.

You can stream and download the MP3.

• Kickstarter Podcast #2 – Interview with Ted Rall

Rall’s a controversial figure, especially reviled among political conservatives, even though he’s leveled some of his toughest criticisms at the Obama administration. While most attention’s focused on his syndicated cartoons, he’s also written six non-fiction books, half of those focused on his travels across the ‘Stans — Tajikistan, Kazakhstan, Uzbekistan, Kyrgyzstan, Pakistan, and Afghanistan. In 2002, he published To Afghanistan and Back, a mix of written dispatches, cartoons, and a graphic novella documenting his experiences on the ground during the U.S. invasion after 9/11.

All of Ted Rall’s previous trips were funded by news organizations, but with budgets for foreign correspondents slashed, he’s turned to his fans to fund his return trip. We talk about the changing media landscape, his previous books, and what it’s like being a NYC cartoonist in one of the most dangerous places on Earth.